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Meredith Monk: Calling
Art and Culture, Poetry, Travel, Poland, Performance, FILM Louise Steinman Art and Culture, Poetry, Travel, Poland, Performance, FILM Louise Steinman

Meredith Monk: Calling

November 6, Amsterdam, Oude Kerk

Every year on March 9th, at half past eight a.m. at the Solstice, the first ray of sunlight falls on the tomb of Saskia Uylenburgh—Rembrandt's beloved wife— in Amsterdam's Oude Kerk, the city’s oldest building (built in 1302) and as well, one of its newest art institutions.

Now it’s chilly November, the sky dark grey, and I’m walking from Amsterdam’s central station, through the De Waal (Red Light) district, to the entry of the Oude Kerk. This mammoth building is now the venue for a remarkable series of installations comprising the first-ever European survey of the work of polymath artist (choreographer; composer; performer; filmmaker) Meredith Monk. The retrospective, “Calling: Meredith Monk” is being presented in two cities, Amsterdam and Munich, in celebration of the artist’s 80th birthday and her sixty years of prolific art-making.

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January 6, 2022

January 6, 2022

I'm walking the Silverlake staircases, listening to the audio version of Colm Toibin’s marvelous novel, The Magician, about Thomas Mann. I’m struck to learn how slow Thomas Mann was to understand the dangers posed by the National Socialists in Germany. Mann held such a deep belief in the staying power of German culture, a world of cosmopolitanism, a culture that treasured Wagner and Mahler, Goethe and Rilke. He was convinced those Nazis would “go away." Even as his eldest son and daughter Klaus and Erica became vocal anti-Nazis, Mann remained unperturbed. After the Nuremberg rally in 1933, his son Golo literally cut out articles from different German papers and laid them out on the dining room table. Look at these, he demanded of his father. “One article says 40,000 attended. Another says 100,000. They will not go away.”

For a break from reading about the rise of the Third Reich, I watched the unsettling and mesmerizing film, “State Funeral” by the Ukrainian director Sergei Loznitza (viewable on www.mubi.com).

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